The Sony FE 8-14mm F3.5 Fisheye G introduces something genuinely unusual to the full-frame E-mount system: a zoom lens that moves continuously from a circular fisheye image at 8mm to a frame-filling diagonal fisheye perspective at 14mm.

The Sony FX5 lands in a useful but slightly awkward space: more serious than the FX3, more compact than the FX6, and clearly aimed at filmmakers who want cinema workflow options without carrying a larger production body.